Paul Gilbert on pentatonic legato patterns

1st Jul 2008 | 13:48

Paul Gilbert on pentatonic legato patterns
Paul Gilbert on pentatonic legato patterns
Paul uses patterns in plently of his playing
Paul Gilbert on pentatonic legato patterns
Paul Gilbert on pentatonic legato patterns
It's quite easy to start thinking in triplets, as the first three notes are grouped in a suggestive manner. This is wrong, however, and you should take the time not only to concentrate on the eight note phrase, but to maintain a pulse with your foot. Notice in the video how Paul often nods his head on each beat. It can help to find the strong beats (ie, the slide in the next bar) when you are playing odd groupings of notes.

Paul shows you how to make your fast guitar playing more fluid by using pentatonic patterns

See all Paul Gilbert video lessons

One of the fundamental principals of Paul Gilbert's playing is his use of patterns. In this video lesson, Paul shows you how using patterns to shift the same idea around the neck can make playing fast passages far easier.

To begin with, you should be able to see the familiar A minor pentatonic scale lurking beneath Paul's lick; if not, familiarise yourself with the scale and get practising. The pattern itself is eight notes in length, and is essentially repeated in the same manner across the remaining strings. All Paul does is take the basic pattern and move it up one string. Your only job then is to compensate for the shape of the scale and adjust your fingers accordingly.

Paul Gilbert lessons

More video lessons with tab from Mr G:

Super-fast blues guitar, Playing rhythmically and String bending.

It can be helpful to think of the pattern in two parts. Since the first three notes involve a hammer-on manoeuvre and the next five use pull-offs, it's useful to split these apart and practise them on their own.

You'll notice Paul uses the fourth finger frequently during this lick and you should too: it may feel awkward if you're not used to it but it's almost impossible to reach the high speeds using the third finger where you should be using the fourth. The first pattern is particularly useful for strengthening the fourth finger, as is the part played on the first and second strings.

You can get free tab for the lick in the picture gallery here. For more information on our guest teacher, visit the official Paul Gilbert website.

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